All Resources
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- Air Travel with Golden Products
- Guide to Conservation Resources
- Fiberglass Sculptures
- Controlling Acrylic Painting Time Through The Use of Mediums
- Replacement Formulas for Golden Glazes
- Availability Issues with Natural Earth Pigments
- Water-based Fixative for PanPastel
- Spray Fixatives for PanPastel
- Lightfast Results for QoR Watercolors Introduced in 2024
- Preparing Linen with Acrylic Gesso
- Keep Paint Tubes in Top Shape
- Cleaning Brushes Without Solvents
- Making Paint from Pigment Powders
- Archival Varnish B SDS
- History of PanPastel Artist Pastels
- Mixing Phosphorescent Green with Fluorescent Colors
- SoFlat Acrylics SDS
- Pastes SDS
- OPEN Acrylics SDS
- MSA Varnish (alt formula) SDS
- Heavy Body Acrylics - Interference & Iridescent Colors SDS
- Heavy Body Acrylic Colors SDS
- Heavy Body Acrylics - Fluorescent & Phosphorescent Colors SDS
- Mediums SDS
- Gesso & Grounds SDS
- Gels SDS
- GAC 900 SDS
- GAC 800 SDS
- GAC 400 SDS
- Fluid Acrylics SDS
- GAC 100 SDS
- Archival Varnish (alt Formula) SDS
- OPEN Thinner SDS
- Retarder SDS
- QoR Mediums & Grounds SDS
- QoR Synthetic Ox Gall SDS
- QoR Masking Fluid SDS
- QoR Cold Press Ground SDS
- The Story Behind the New PanPastel Colors
- Broader Mixing Capabilities with QoR Watercolors
- Using PanPastel on Acrylic Grounds
- PanPastel Lesson Plans for Art Educators
- PanPastel Mixed Media
- PanPastel Painting Techniques
- PanPastel Drawing Techniques
- Using Sofft Tools
- Color Mixing with PanPastel
- PanPastel Surface Guide
- Using PanPastel Mediums
- Basic PanPastel Techniques
- Williamsburg Alkyd Resin and Extender Medium
- Plein Air Painting with OPEN Acrylics
- Are PanPastel Colors Nontoxic?
- The Science and Seduction of Luminescent Colorants
- Availability Issues with Natural Earth Pigments
- A Guide to Caring for Stain Paintings
- GOLDEN and Williamsburg Virtual Paint Mixer
- Using GOLDEN Artist Acrylics in Masterson Sta-Wet® Palettes
- Try our NEW acrylic paint mixer
- Fabric Painting with Acrylics and GAC 900
- QoR Mini Half Pan Colors SDS
- Using Tape in Mixed Media
- Wet Sanding Acrylics
- Encasing Natural Objects in Acrylics: Petals and Leaves
- ASTM Lightfastness Testing for Oil Paints
- QoR Lightfast Testing
- Alternative Color Mixes for Discontinued Quinacridones
- Williamsburg Oil Content by Volume
- Product Development and Testing at GOLDEN
- Painting on Glass with GAC 200
- QoR Ali Cavanaugh Portrait Set SDS
- The QoR mini Half Pan Travel Set and Color Mixing
- Natural Vs. Synthetic QoR Earth Colors
- Nothing is Black and White with Payne’s Gray
- QoR Iridescent and Interference Watercolors
- Layering and Mixing with Iridescent and Interference Acrylic Paints
- SoFlat is So Flat!
- SoFlat Matte Acrylics – Why it Matters
- Photographing SoFlat Matte- Why the Camera Loves These Colors
- SDS for MSA Colors, Varnish, Gel, and Solvent
- Lightfastness Testing of Heavy Body Fluorescent Colors
- Using QoR Additives
- Subtractive Technique with OPEN Acrylics
- Grounds for Drawing
- Glass Bead Watermedia Pear
- Subtractive Pear Stencil with OPEN Acrylics
- Monoprint Bird with OPEN Acrylics
- Staining with High Flow Acrylics
- Photo Image Transfer with Gels
- Subtractive Pears with OPEN Acrylics
- QoR Labels Explained
- Health and Safety FAQ's
- Children's Use of Golden Products
- Williamsburg Handmade Oil Colors SDS
- QoR Colors SDS
- Wetting Agent aka Acrylic Flow Release SDS
- MSA Varnish SDS
- Archival Varnish SDS
- MSA Solvent SDS
- UVLS Master
- Wetting Aid SDS
- Isolation Coat SDS
- High Flow Acrylics SDS
- Wetting Aid
- OPEN Acrylic Colors
- Iridescent & Interference Colors
- High Flow Acrylic Colors
- Heavy Body Acrylic Colors
- Fluorescent Colors
- Fluid Acrylic Colors
- Airbrush Tips (Vol.2)
- Airbrush Tips (Vol.1)
- Safe Handling and Transportation of Acrylic Paintings
- Varnishing Watercolors: Creating the Least Change
- Painting on Location with QoR Modern Watercolors
- Using QoR Masking Fluid with Watercolor
- Williamsburg Wax Medium
- Zinc Oxide: FAQ
- Zinc Oxide – Reviewing the Research
- Zinc Oxide: Warnings, Cautions, and Best Practices
- Beauty and the Best: Wrestling with Changes in Williamsburg
- Williamsburg’s Safflower Colors
- Oiling Out and the Cause of Dead Spots in Oil Paintings
- QoR Mediums and Grounds
- Double Primary Approach to a QoR Color Wheel
- Vegan and Animal-Free Paints & Art Materials
- Solving the Solvents (solvent-free oil painting)
- A Palette of Textures
- What is dark yellowing?
- Backing Boards for Canvas Paintings
- Rolling Acrylic Paintings for Shipping and Storage
- Make a Mark
- Lightfastness Testing at Golden Artist Colors
- Defining Warm & Cool Colors - It's All Relative!
- The Subtleties of Color
- Tips & Tricks for Varnishing
- Introduction to Varnishing
- Tools for Texture
- Suggested Drying Times for Layering Acrylic Products
- Filling Half Pans with QoR Watercolor
- Pigment Supplier Change for QoR Quinacridone Red
- Choosing Brushes for Use with OPEN Acrylics
- Making Dry Paint Skins with Fluid Acrylics
- High Flow Acrylics for Airbrush, Striping, Textiles, Marbelizing, and Staining
- Don't Fade Away: Testing Protective Coatings
- How to Pack and Ship Unframed Paintings
- Blocking Support Induced Discoloration
- Pigment Concentration and its Role in Color
- Chromatic Neutrals with QoR Watercolor
- Rabbit Skin Glue – Pros & Cons
- Using Oils with Acrylics
- Creating an encaustic look with acrylics
- The Value of Painting with Neutral Grays
- Rheology: Understanding the Feel of Acrylics
- Super Textural Painting with Acrylic
- A Slow-Drying Additive for Acrylic Painting
- How Do I "Seal" It?
- The Life of Pigments in Fine Art Paints
- Revisiting Oils Over Acrylics
- Understanding Pouring Techniques
- Monoprinting with OPEN Acrylics
- Label / Color chart Iconography - symbol guide
- Crash Kit - Crash Solution SDS
- Crash Kit - Neutralizer SDS
- Williamsburg Grind Chart
- Williamsburg Oil Content By Volume Chart
- Varnishing Watercolors
- Color Mixing Guide
- Color Mixing with 8 Curated Acrylic Colors
- SoFlat Product Information
- Color Mixing Guide
- PanPastel - Frequently Asked Questions
- GAC 900 - Heat-set Fabric Painting Medium
- High Load Acrylic Colors
- PanPastel SDS
- Williamsburg Safflower Colors SDS
- Williamsburg Pure Beeswax Block & Pellets SDS
- Williamsburg Genuine Rabbit Skin Glue SDS
- Williamsburg Damar Crystals SDS
- Williamsburg Wax Medium & Extender Medium SDS
- Williamsburg Cold Pressed, Stand, Sun Thickened & Standard Linseed Oils SDS
- Williamsburg Flake White & Lead Oil Ground SDS
- Clear Tar Gel
- PanPastel Lightfastness
- Isolation Coat
- Polymer Varnish (UVLS)
- Matte Mediums
- Gels and Mediums
- High Flow Medium
- Gel Topcoat w/UVLS
- Introduction to Varnishing
- Painting Exterior Murals
- Williamsburg Alkyd Resin SDS
- Qor Watercolor Pigment Information
- Glazing Liquid
- GAC 800
- Clear Leveling Gel (formerly Self-Leveling Clear Gel)
- Waterborne Varnish
- Airbrush Medium
- Archival Varnish - Mineral Spirit
- Protecting Computer Prints From UV Rays
- GAC 200
- GAC Acrylic Specialty Polymers
- Heavy Body Accelerated Lightfastness Data - PDF
- QoR Health & Safety
- Spraying Safely
- Rabbit Skin Glue - How to Use
- Munsell and Lab Readings for Williamsburg Oil Colors - Alphabetical
- Health And Safety Labeling
- Layered Surfaces
- Top 10 uses for Soft Gel Gloss
- Organic and Inorganic Colors
- FAQs Concerning Zinc Oxide (PW4) in Oil Paints
- Drying - Technical Notes
- Black & White Gesso
- Titanium Oil Grounds / Lead Oil Grounds
- Digital Ground (Discontinued)
- Absorbent Ground
- QoR Application and Techniques
- QoR Grounds - Product Information Sheet
- CALIFORNIA "Prop 65" WARNINGS ON CERTAIN QOR® WATERCOLORS
- About Body Painting Safety
- Qor Grounds - Application Information
- European Artists Colours Association homepage
- Clean Color Mixing
- Williamsburg Zinc-Oxide Advisory
- Airbrush Colors
- Color Pouring Mediums (Gloss & Matte)
- OPEN - Controlling Drying Times
- Oil Over Acrylic Guidelines
- MSA - Solvent Compatibility
- Monoprinting
- MSA Conservation Paints
- MSA Gel (Mineral Spirits)
- MSA Varnish (UVLS)
- Hard MSA Topcoat (UVLS)
- Crackle Paste
- OPEN Thinner
- OPEN Acrylic Medium
- Sandable Hard Gesso
- Fabric Applications
- Pastel Ground
- Munsell Notation listing - Heavy Body Acrylics
- Phosphorescent Green
- Molding Pastes
- Image Transfer
- Silkscreen Fabric Gel
- Silkscreen Medium
- Silverpoint / Drawing Ground
- Stop-out Varnish for Intaglio Printmaking
- Varnish Application Guidelines
- Williamsburg Drying Times Chart
- Williamsburg Modern Color Mixing Guide
- Woodstaining Objects
- PVA Conservation Paints
- Painting Supports - Preparing
- Porcelain Restoration Glaze
- Pigment Density Golden Artist Acrylics
- Organic/Inorganic Pigment List
- Neutral Grays
- Water Reclamation Process in Golden Manufacturing
- Mural Paints Current and Future Formulations
- Acrylic Modifier for Plaster
- Matte Fluid Acrylic Colors (Discontinued)
- Marbleizing
- Williamsburg Product Guide
- Hard Edge Techniques
- Classic Color Mixing Poster
- Floorcloths
- Film Thickness
- Health Warning on Zinc White
- Titanium White and Zinc White
- Strong and Weak Colors
- Mixing Certain Colors
- Limited Pigments
- Color Wheel
- Colors No Longer Made or Never Made
- Watercolor effects with Acrylics
- Cool to Warm Listing for GOLDEN Heavy Body Acrylics
- Clear Layers, Textures, and Glazes
- Animal Ingredients and Animal Testing
- Biocides and Skin Sensitivity
- Flame Spread Statement
- Disposing of wastes generated while painting
- Golden Acrylic Labeling Explained
- Managing Leftover Paint
- Schools Sing the Blues over Heavy Metals
- Williamsburg Labeling Explained
- Glaze Formulas
- Damar Crystal Instructions
- Adhesion Tests for Pre-primed Canvases
- Water-media on Absorbent Ground
- Glass Bead Water-media
- Pear Drawing on Acrylic Ground for Pastels
- Gel Skin Pear on Acrylics
- Gel Skin Transfer with Fiber Paste
- Sgraffito Pear with Crackle Paste
- Image transfer (Bird on Iridescent)
- Drawing with High Flow Acrylics
- Color Mixing Modern - Acrylics
- Munsell and Lab Readings for Williamsburg Oil Colors - Notation Ordered
- Removing Water-Based Paint Solids from Rinse Water
- Digital Grounds
- Using Pastel Sticks Over PanPastel - Add Texture & Highlights
- Use PanPastel to Enhance Watercolor Paintings
- Layering & Blending Techniques - PanPastel
- PanPastel - Palette Trays
- PanPastel - Metallics
- Beatriz Ramos-Rivera - La Master-Class de PanPastel (España)
- PanPastel Flower Art with Lia Griffith
- PanPastel Animal Art with Lisa Ann Watkins
- Introvert or Extrovert: Color Tint Strength?
- Cool Color Combos
- It Glows in the Dark! - Phosphorescent Green
- A New Wrinkle - Learn How to Create Interesting Patterned Effects on Your Tar Gel Surface
- Unlock Wild Patterns in Your Paint Pours
- QoR Urban Sketcher Mini Half Pan Set
- Muralist Panel Discussion Presented by Golden Paintworks
- Winter Color Mixing with QoR Watercolors
- Spring Palette for Acrylics, Oils, and Watercolors
- Color Mixing Fall Colors with a Limited Palette of QoR Watercolors
- How to Spray SoFlat Matte Acrylics
- Creating sharp edges by masking with SoFlat Matte Acrylics
- New mark making possibilities with SoFlat in Markers
- PanPastel Colorless Blender - Blend, Extend and Dilute your Pastel Colors
- Tips and Tricks: Painting on a Budget
- Artist Tools for Pastel & Mixed Media
- Introducing PanPastel Artist Pastels
- How to Apply Spray Varnish to Paintings
- New & Updated Virtual Paint Mixer [now mixing oil colors!]
- Mixing Colors using the Ali Cavanaugh Portrait Palette
- How to make a replacement mixture for discontinued Quinacridone Crimson
- How to make a replacement mixture for discontinued Quinacridone Burnt Orange
- How to Mix a Replacement Color for Discontinued Quinacridone/Nickel Azo Gold
- Ali Cavanaugh Portrait Colors Set
- SoFlat Matte Acrylics Zing Set - 6 Color!
- SoFlat Matte Acrylic Pop Set - 6 Color!
- Creating Clean Crisp Defined Edges with [Acrylic] Paints
- How To Apply (and Remove) Waterborne Varnish
- Heavy Body Acrylic Colors Overview
- Fluid Acrylic Colors Overview
- High Flow Acrylic Colors Overview
- OPEN Slow-Drying Acrylic Colors Overview
- Williamsburg Oil Colors Overview
- QoR Watercolors Overview
- Pastels Without Paper [Three Acrylic Surfaces]
- Creating a Smoother Canvas Surface
- Using PanPastel Colorless Blender
- [Acrylic] Soft Gels for Blending, Collage Adhesion, Glazing, and Texture
- More Ways to Paint!
- Golden Pumice Gels - 3 Textures
- Golden Light Molding Paste
- Golden Clear Granular & Glass Bead Gel
- Golden Fluid Mediums - 3 Sheen/Consistencies
- Golden Regular Gel - 3 sheens
- OPEN Slow-Drying Acrylics Landscape Set
- Heavy Body Acrylics Traditional Mixing Set
- High Flow Acrylics Airbrush Set
- High Flow Acrylics Drawing and Lettering Set
- OPEN Slow-Drying Acrylics Mixing Set
- Heavy Body Acrylics Mixing Set
- Fluid Acrylics Mixing Set
- High Flow Acrylics Mixing Set
- OPEN Slow-Drying Acrylics Intro Set
- Heavy Body Acrylics Essentials Set
- Heavy Body Acrylics Intro Set
- Fluid Acrylics Intro Set
- High Flow Acrylics Intro Set
- Painting with Williamsburg Neutral Grays
- Preparing Canvas using Titanium Oil Ground
- SoFlat Colors: Markers, Spraying, and Masking
- Golden SoFlat Matte Acrylic Colors
- Displaying Watercolor Paintings Without Glass
- Rethinking Acrylics for Plein Air
- Go deep into the Earth (colors)
- Crash Paint Solids: A simple way to make paint water safe for disposal
- QoR Transparent Pyrrole Orange
- QoR Cobalt Green
- Gels and Mediums as a collage Adhesive
- QoR Quinacridone Magenta Watercolor
- Isolation Coat Application for Small Paintings
- Mixed Media Collage using Golden Gels and Mediums
- Color Pouring & Motion
- Pendulum Color Pour
- OPEN Re-Introduction
- QoR Ultramarine Blue Watercolor
- Four 8-Color Mixing Sets by Williamsburg Oils
- GOLDEN Acrylic Sets: Exploration & Experimentation
- QoR vs Ordinary Watercolors
- QoR Mini - Compact color for artists on the move.
- Achieving an encaustic look with Golden Matte Mediums
- Support Induced Discoloration (SID), what is it? and how to minimize it.
- Williamsburg Oils Zinc Removal
- NEW COLORS from Williamsburg!
- QoR Masking Fluid
- Golden Benz Yellow
- The Return of Genuine Cobalt Teal
- Explorer 14 Acrylics Colors & Mediums Set
- New 2018 Golden Acrylic Colors
- What, Why & How: GOLDEN Gessos and Grounds
- What, Why & How: GOLDEN Molding Pastes
- Williamsburg Technical Advances
- Materials Applications Specialists
- What, Why & How: GOLDEN Fluid Mediums with Patti Brady
- Abstract Landscape with Melanie Matthews and the GOLDEN A-Z set
- Williamsburg Oils: History
- What, Why and How: Painting with GOLDEN Acrylic Gel
- QoR 24 Watercolor Set unpacking video
- QoR Modern Watercolors
- GOLDEN Acrylic Demo
- Williamsburg : The artist's challenge
- GOLDEN Clear Tar Gel
- Create unique Acrylic Gel Skins using GOLDEN High Flow Drawings
- High Flow Squeeze Marker Set
- High Flow Acrylics - Filling an empty pump marker
- Making Oil Paint
- Monoprinting with QoR Watercolors
- Monoprinting with Golden OPEN Acrylics on Gelli® Plates
- Williamsburg Oil Colors Introduction
- QoR Modern Watercolors - Introduction
- GOLDEN Introduces the New High Flow Drawing Set
- Impasto Landscape: Golden A-Z Set
- Explore Water Media on Golden Absorbent Ground with Golden's new A-Z Set
- Acrylic Ground for Pastels Makes Surfaces Easy to Draw On: Golden A-Z Set
- Gel Skin Painting Project with the GOLDEN A-Z Set
- Crackle Paste, Sgraffito Painting Project: Golden A-Z Set
- Water Media with Glass Bead Gel: Golden A-Z Set
- Iridescent Image Transfer: Golden A-Z Set
- Blending & Glazing with Slow Drying Acrylics: Golden A-Z Set
- Subtractive Technique with OPEN Slow Drying Colors: GOLDEN A-Z Set
- Explore Fiber Paste with the New Golden A-Z Set
- High Flow Acrylics, a Unique and Versatile Tool for Artists
- MSA Varnish Removal from a Smooth Acrylic Surface
- Packing [small] Paintings For Shipping
- Gel Image Transfers
- Direct Image Transfers
- Hard Edge Techniques using GOLDEN Products
- Fabric Painting and GAC 900
- Encaustic Effects with GOLDEN Acrylics
- Creating a 'Dry Monotype'
- Collage: GOLDEN Gels and Mediums as an Adhesive
- Adhering Watercolor Paper to Panel Using GOLDEN Soft Gel
- Tips for a Successful Immediate Image Transfer
- Spraying Acrylic Paints
- Creating a Smooth Surface Using Molding Paste
- Clear Gel Mediums Overview
- QoR Watercolor Ground
- QoR Cold Press Ground
- QoR Light Dimensional Ground
- Iridescent Acrylics - Snap Shot
- OPEN Slow-Drying Acrylics
- Heavy Body Acrylics - Snap Shot
- Fluid Acrylics - Snap Shot
- Silver Point Drawing Ground - Snap Shot
- Crackle Paste - Snap Shot
- Acrylic Ground for Pastels - Snap Shot
- Coarse Molding Paste - Snap Shot
- Fine Pumice Gel - Snap Shot
- Fiber Paste - Snap Shot
- Blending with Golden Acrylic Colors and Medium
- Saving Paint with OPEN Acrylics
- Layering Techniques Featuring Patti Brady
- Subtractive techniques using OPEN Slow Drying Acrylics
- Micaceous Iron Oxide Overview
- Monoprinting with OPEN Slow Drying Acrylics
- Behind the Scenes with Williamsburg Artist Oil Colors
- Introduction to Molding Pastes
- Glass Bead Gel and Clear Granular Gel
- GOLDEN Acrylic Color Lines Overview
- Fast Image Transfer with Melanie Matthews
- GOLDEN Fiber Paste
- Tips for Acrylic Spraying and Airbrush
- Draw Big with GOLDEN Acrylic Ground for Pastels
- High Flow Acrylics Paint in Empty Markers
- High Flow Colors Introduction
- Transfer Images with Digital Grounds