Product & Application Resources

Williamsburg Artist Oils
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Product Use & Technical

Product Use & Technical

Working properties, application guidance, mixing and usage.

Safety Data

Safety Data

Handling and health information related to chemical composition of products.

Video

Video

Product and application videos

Reference Materials

Reference Materials

Color charts, color pigment information tables, drying times, etc.

Article

Article

Scholarly information on art materials, conservation and application.

Video

Williamsburg Oil Colors Introduction

Williamsburg is not a mass-produced paint. This introductory video shows the very high level of human involvement and hand processes required to make oil colors of this quality.

Video

Making Oil Paint

The process of making paint includes running paint through a mill. This step determines "the grind", or how fine or coarse each color becomes. Each pigment reveals different characteristics at different levels of milling. Whether it is work-ability, texture or the color itself, the grind is determined by what brings out the best balance for each color.

Video

Williamsburg Oils: History

Short video touching on the legacy of Carl Plansky as a painter and paint maker.

Video

Four 8-Color Mixing Sets by Williamsburg Oils

11 ml tubes of color plus a 37 ml tube of Titanium White make each of these four sets perfect for trying new colors or an entirely new palette from which you can mix a new range of colors. Williamsburg has one of the most extensive selection of oil colors available anywhere, and these sets can help you narrow down options and begin personalizing your palette.

Video

Behind the Scenes with Williamsburg Artist Oil Colors

Take a look behind the scenes at Williamsburg Artist Oil Colors, see our factory floor, the labor, materials, art and science that goes into every tube of paint we make.

Video

Williamsburg Oil Colors Overview

Getting the proper pigment is just the beginning. So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors will feel slightly gritty; others extremely smooth. Our Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; our Siennas will often be chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertones instead of just heavy, dull browns.

Pigments are ground in pure, premium, alkali-refined linseed oil and made in batches no larger than eight gallons at a time. This gives us total control over the product, much like the late nineteenth-century French color makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminum cans using only the purest materials.

Williamsburg Artist Oil Colors are used by the world's finest artists whose work can be found at the Metropolitan Museum of Art and MOMA in New York, the National Gallery of Art in Washington, and the Beaubourg in Paris.

Reference Materials

Munsell and Lab Readings for Williamsburg Oil Colors - Alphabetical

Reference Materials

Williamsburg Product Guide

Reference Materials

Williamsburg Grind Chart

Reference Materials

Williamsburg Drying Times Chart

Reference Materials

Munsell and Lab Readings for Williamsburg Oil Colors - Notation Ordered

Reference Materials

Williamsburg Modern Color Mixing Guide

Product Use & Technical

Painting Supports - Preparing

Product Use & Technical

Titanium White and Zinc White

Article

A Palette of Textures

How pigments impact paint, and in particular, how they define a range of textures within the Williamsburg line.
Article

Beauty and the Best: Wrestling with Changes in Williamsburg

Article

Oiling Out and the Cause of Dead Spots in Oil Paintings

Article

Pigment Concentration and its Role in Color

Explore the surprising answer to the question of why pigment change color when used in different systems.
Article

Solving the Solvents (solvent-free oil painting)

Oil paint is the most natural and safe material used for painting but, through misconception, considered dangerous.
Article

The Value of Painting with Neutral Grays

Grays can be used to desaturate colors and can also be used to create a grisaille as an underpainting.
Article

What is dark yellowing?

Dark yellowing is the reversible, temporary yellowing of dried oil paint after storage in dark or subdued lighting.
Article

Williamsburg’s Safflower Colors

Safflower allows certain colors to hold onto a luminosity that would otherwise be lost. Learn more about it and the safflower colors we offer.
Article

Williamsburg Oil Content by Volume

An informational chart which organizes Williamsburg colors, Extender Medium and Oil Grounds into four categories of oil content by volume.
Article

Alternative Color Mixes for Discontinued Quinacridones

How to mix colors to match discontinued Quinacridone Crimson, Quin/Nickel Azo Gold, and Quin Burnt Orange colors.
Article

ASTM Lightfastness Testing for Oil Paints

A comprehensive study of ASTM standard D4302 to improve our understanding of oil paint lightfastness and to ensure the accuracy and comprehensiveness of our lightfastness testing.
Safety Data

Williamsburg Handmade Oil Colors SDS

Information on chemical properties; health, and environmental health hazards; protective measures; and safety precautions for handling, storing, and transportion.